He is particularly impressive in the last few episodes, where more range is necessary. As time goes on and Ishikawa develops more, this talented actor gets more room to stretch his wings. In one early scene, the character describes his life as waiting for the next big case-with little else worth mentioning. We have Oguri Shun who is gripping as Ishikawa, despite how stoic and lifeless the character ought to be. Unfortunately, few cast members are of note. However, the scope of music is a touch limited-it might get repetitive for some viewers. I particularly enjoyed the creepy choral theme which plays from time to time. There are few vocals as expected, but what we get is great (such as the theme evils fall by MAN WITH A MISSION).
Famous composer Kawai Kenji lends his talents to the soundtrack, resulting in many instances of eeriness and memorability. Cold colors and dark lighting work to build a flawless mood which goes unshaken for the duration of the series. Perhaps the greatest strength of BORDER rests in its solid atmosphere. Plus, the ending simply screams for a sequel which might be good or bad depending on the viewer. When the narrative stands on its own legs with a bit more subtlety (as in the seventh case) this drama watches much better.
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She is described rather than developed, tending to speak in sentences full of exposition. A good example can be seen in an entire character: our female coroner. Case denouements come across as spoon-feeding at times, or like a snippet from a script outline. Only a few moments pass before he’s tossed into his first case.
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Even at the start, we zip right through the “how” of Ishikawa’s powers came to be. There was also a double-meaning in the word “border,” which factors in as added complexity to the theme.īORDER struggles most because of its predilection for exposition. I did like that not every victim was likable or even a particularly good person it allowed the story to go in different directions than expected. Some episodes are stronger than others, with the most uneven occurring smack dab in the middle. Like with most procedurals, not all crimes are created equal. Though one might worry this takes away from the mystery, enough twists and turns are thrown in to keep things interesting. Our hero interacts with the spirits and lines up what they have to say with the facts oftentimes, the victim is even able to tell him who has done what. Each episode covers a different case, complete with a unique death and its matching ghost.
A mistake on the job lands him with a bullet lodged in his brain and a difficult decision to make: have surgery or leave it? BORDER begins when Ishikawa puts off the decision and returns to work. You see, BORDER might be the first good paranormal procedural we’ve been treated to in ages.Īs viewers are often reminded by the stylish introduction to each episode, Detective Ishikawa Ango walks the “border” between life and death. But while this drama initially comes across as little more than the last gasp of a dying trend, it’s much better than that. There have even been one or two ghost-seeing detectives, such as those depicted in Who Are You and the aptly titled Ghost-Seeing Detective Cheo Yong. We have met many “medium” protagonists since then. Rewatch Value 7.0 BORDER appears a touch late to the paranormal party popularized last year.
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